These two youtube videos were produced by the Exploratorium in San Francisco, and document a performance and interview I did there as part of their Resonance Series on 6/9/16. Thanks to everyone who worked on them! And special thanks to Wayne Grim, the curator of the series who offered me the opportunity.
The Exploratorium's Kanbar Auditorium offered me the chance to use two tremendous performance enhancing software systems, both made by Meyer Sound. The first creates artificial reverbs in the space by analyzing it in real time in order to maximize each listener's experience, and was used for the large reverberations during the quartet pieces. The second system uses the 99 speaker array present in the space and a speaker routing and control system called Constellation. I especially enjoyed placing three independent loops and a main mix through this system.
The Exploratorium's Kanbar Auditorium offered me the chance to use two tremendous performance enhancing software systems, both made by Meyer Sound. The first creates artificial reverbs in the space by analyzing it in real time in order to maximize each listener's experience, and was used for the large reverberations during the quartet pieces. The second system uses the 99 speaker array present in the space and a speaker routing and control system called Constellation. I especially enjoyed placing three independent loops and a main mix through this system.
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Video of a solo improvisation, "What I Did Not Notice", on my prepared Rhodes electric piano, 2/28/13. This is a good example of what a live performance on my instrument sounds like. Directed and filmed by Kevan Jenson. www.ivisualizethis.com
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"The Transom" is a piece for modular synthesizer. I used my rudimentary video creation skills to make this video, which incorporates found film from a flood in Pittsburgh in the 1930's (I'm guessing the date from the auto's). Pittsburgh was my parent's post - collegiate domain. This is the first in what I hope will be a series of visual-tracks that I make to enhance and share my music.
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"Love Song" is a largely improvised piece for a string ensemble, with the addition of percussion, piano, and prepared Rhodes. I composed the music for this in 2012, and it was realized by a group I organized to record it nearby in Oakland. The video is the second in my series of pieces that use found video.
Eugene Chan used my piece, "Reinventing Belief", for his video of the New Span of the San Francisco Bay Bridge.
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Performance at Berkeley Arts as part of the Annual Richard Waters Festival, June, 14, 2014. Duo with Bryan Day.
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Improvisation with Theresa Wong in Feb. 2011. Luggage Store gallery, San Francisco, CA. Video montage by Anne O'Rourke.
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Improvised prepared Rhodes electric piano performed at Resbox, Los Angeles, CA. 2009. Live video manipulation by VJ Fader. Video montage by
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"Nursery and Machine Houses" (2011) : Text based score to be performed "on any instruments or anything perceived as an instrument." 1/10/11, Kerrytown Concert House, Ann Arbor, Michigan. Performed by the Eric Glick Rieman, Daniel Godston, Andrew Bishop, Marko Novachoff, Piotr Michalowski, James Cornish, Abby Alwin, Christopher Skebo, and the audience. Video by Debbee Sheppard.
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"Helix Aspersa III" (2008): Graphic score made in collaboration with snails, performed at Unnameable Books, Brooklyn, NY, 7/13/2008. Video by Daniel Califf-Glick.
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